【作者简介】保罗·吉尔罗伊（Paul Gilroy，1956— ），英国著名黑人理论家、英国国家学术院院士，国际人文社科领域重量级奖项霍尔贝格奖获得者。吉尔罗伊1986年在伯明翰大学当代文化研究中心（CCCS）取得博士学位，是斯图亚特·霍尔的得意门生，也被认为是霍尔之后最重要的种族 理论家之一。曾任耶鲁大学非裔美国人研究系系主任，现为伦敦大学学院教授、种族与种族主义研究中心主任。著有《大英帝国没有黑人》《阵营之间》《帝国之后》等。 【译者简介】沈若然，华东师范大学中文系博士后，复旦大学文学博士，主要从事西方文论研究。

Timely reissue of the classic radical history of race and modernity In this groundbreaking work, Paul Gilroy proposes that the modern black experience can not be defined solely as African, American, Carribean or British alone, but can only be understand as a Black Atlantic culture that transcends ethnicity or nationality. This culture is thorough modern and, often, overlooked b...(展开全部)

Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity...(展开全部)

Attempting to provide a sociological explanation of the Holocaust, the main theme of this work is the demonstration that the Holocaust has to be understood as deeply involved with the nature of modernity - neither a single event nor a simple outpouring of barbarism. The author discusses what sociology can teach us about the Holocaust, but more particularly concentrates upon the...(展开全部)

In spite of the double burden of racial and gender discrimination, African-American women have developed a rich intellectual tradition that is not widely known. In "Black Feminist Thought," originally published in 1990, Patricia Hill Collins sets out to explore the words and ideas of Black feminist intellectuals and writers, both within the academy and without. Here Collins pro...(展开全部)

In Insignificant Things Matthew Francis Rarey traces the history of the African-associated amulets that enslaved and other marginalized people carried as tools of survival in the Black Atlantic world from the seventeenth to the nineteenth centuries. Often considered visually benign by white Europeans, these amulet pouches, commonly known as “mandingas,” were used across Africa,...(展开全部)

A collection of manifestos originally published in 1938, The Theater and Its Double is the fullest statement of the ideas of Antonin Artaud. We cannot go on prostituting the idea of the theater, the only value of which is in its excruciating, magical relation to reality and danger,” he wrote. He fought vigorously against an encroaching conventionalism he found anathema to the v...(展开全部)

In Reckoning with Slavery Jennifer L. Morgan draws on the lived experiences of enslaved African women in the sixteenth and seventeenth centuries to reveal the contours of early modern notions of trade, race, and commodification in the Black Atlantic. From capture to transport to sale to childbirth, these women were demographically counted as commodities during the Middle Passag...(展开全部)

作者：陀思妥耶夫斯基（1821—1881），“俄国文学三巨头”之一，影响世界文学的重要作家。 译者：臧仲伦（1931—2014）：北京大学教授，中国作家协会会员，中国翻译协会“资深翻译家”，翻译了陀思妥耶夫斯基的大量作品，并与巴金先生合译了赫尔岑的《往事与随想》。

The Double is a remarkable tale in the tradition of doppelgänger literature. As Dostoevsky examines the neurosis and paranoia that cripple a seemingly ordinary man, he produces a thoroughly ‘modern’ nightmare, brilliantly foreshadowing the works of Kafka and Sartre. Mr Golyadkin is a rather middling man, a somewhat insignificant government official. Then one day he meets his ...(展开全部)